Mighty No. 9 interview with composer Manami Matsumae
“Songs usually come to me when I’m at my keyboard plucking away at home. There are all sorts of instrumental timbers, right? I think to myself, ‘let’s try making a song in this timbre today,’ and when I play… it comes to me. Nothing comes to me until I start playing.
Composing comes more or less last. The game has to be pretty much done. The stage’s setting and the kind of scene the theme will be used for have to be firmly set. Game music always gets put on the back burner… If you make something before everything has been decided, you’ll be asked to redo it later, and you would’ve wasted your time. You don’t have to wait for the game to be 100% complete to start composing; 75% works just as well. You have to work as hard as you can, and make everything in one burst.”
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